Five British Films You Must See

Patrick Omari asked:

The British Film Industry has seen many peaks and troughs since it began around the turn of the 20th century. Cinema began in the UK with William Friese Greene’s producing the first known projected moving image on celluloid film. In the following 119 years there have been many successes and failures that have influenced not only the film industry but British culture.

Film fans will have their only favourites that have thrilled, inspired and entertained them throughout various times in their lives and this list is exactly that. I have been watching British films for nearly thirty years now and have seen the likes of Gandhi (1983), The Full Monty (1997) and The Queen (2006) impact world cinema while various others have just tasted success in the UK.

There is no particular formula to a successful British film, although my choices for the ‘Five British Films That You Must See’ do tend to have a distinctively British feel. Whether it is the location, accent, dialect or cultural references – each of my top five British films is a quintessentially British production.

A Clockwork Orange ( 1971 )

Directed by Stanley Kubrick and set in a futuristic London, A Clockwork Orange is based on the novel of the same name by Anthony Burgess. The film received critical acclaim on its release including gaining four nominations for Academy Awards. However, following a string of so-called copycat crimes, Kubrick withdrew the film after receiving several anonymous death threats.

It was only on the film’s re-release in 1999 that the British public were legally able to watch this celluloid masterpiece in almost 27 years. The film appears timeless as the futuristic setting hasn’t aged at all in almost three decades on the shelf. The characters speak in a blend of cockney and Russian that adds additional dimensions to the dystopian reality. Heavily influencing pop-culture from a Blur music video to Bart Simpson’s halloween costume, A Clockwork Orange remains one of the most influential and controversial films of all time.

Trainspotting ( 1996 )

Directed by Danny Boyle, Trainspotting follows the story of Mark Renton and a group of his ‘friends’, most of whom are heroin-addicts. Set in Edinburgh, the story shows explicitly the problems associated with intravenous drug use and far from glorifying it, ensure the audience condemn the characters’ actions.

The role of Renton helped to launch the career of Ewan McGregor as he escapes his parasitic friends and makes a new life for himself heroin-free. The unpleasantness that envelopes the film and its characters make each scene unmissable as Renton continuously attempts to break free and ‘choose life’. As the protagonist succeeds and the closing credits roll you will feel like you’ve just watched a very special film.

Lock, Stock and Two Smoking Barrels ( 1998 )

1998 saw the arrival of the modern British gangster movie with Guy Ritchie’s Lock, Stock and Two Smoking Barrels. Cool, dirty and classy, the film was a smash-hit when British gangster films were virtually non-existent. The film also introduced ex-footballer Vinnie Jones as an actor as well as Jason Statham. Combining an uber-cool soundtrack with cockney accents and sharp suits and you have the perfect London gangster film.

Based around the theft of drugs and cash, the plot weaves together multiple stories into a climatic shoot-out that results in almost everyone being killed. The film sparked a flurry of interest in Brit-flicks and many other films tried to replicate its success, however, Guy Ritchie came closest when he reused a lot of the cast for a similar film called Snatch. The modern British gangster film was back, 26 years after Michael Caine set the standard in Get Carter.

28 Days Later ( 2002 )

The only true horror film on the list, 28 Days Later broke the mould when it exploded onto the silver screen in 2002. Seemingly influenced by the George A. Romero ‘Dead’ films, the second Danny Boyle film on the list was predominantly shot on digital video. This however was not the major talking point when the film was released, for a new zombie was born. A highly contagious virus has spread throughout the UK and infected the majority of the British population, but in contrast to Romero, Boyle’s zombies are fast, aggressive hunters.

The plot follows Jim as he awakes from a coma to find the streets of London deserted. These dramatic, beautiful scenes where Westminster Bridge, Piccadilly Circus and Oxford Street are completely empty were achieved as police helped temporarily block off areas of London for short intervals. The result is truly breathtaking and adds a haunting solitude to Jim’s plight as he searches for fellow survivors. The film clearly influenced the 2004 remake of Romero’s Dawn of the Dead as the zombies behaviour bears an uncanny resemblance to that of those in 28 Days Later. Zombie films would never be the same again, and I must mention the other Brit-Zombie film ‘Shaun of the Dead’ that again changed the face of modern horror with its comedy twist on the classic zombie movie.

Dead Man’s Shoes ( 2004 )

Possibly my favourite performance by any single actor in any film, Paddy Considine exacts perfect revenge as Richard in Dead Man’s Shoes. Set in the Midlands, as with all of Shane Meadows’ films, Considine returns to his home town after a period serving in the British army. The audience quickly begins to realise that Richard is looking to avenge a group of bullies that have tormented his brother. Considine’s performance is mesmerising as he shifts from psychotic to fraternal in the blink of an eye.

As the story progresses, the film shows various flashbacks to when Richard’s brother Anthony was victimised by a group of local petty criminals. Anthony is played superbly by Toby Hebbell in his breakthrough film role. Richard dispatches of each member of the gang one by one until it is just him and the more passive bully left. He pleads to be killed so he can lay with his brother and after threatening the man’s children suffers a fatal stab-wound to the heart.

This is an amazing film with some of the best performances from some low-profile actors. Shane Meadows has written and directed other films that come extremely close to the Top 5 including A Room For Romeo Brass and more recently This Is England. Meadows is a rising star in British cinema and has the potential to be one of the world’s most prestigious directors.

So that is the Top Five British Films To See Before You Die. Agree or disagree, you must ensure that you watch these films and you won’t ever feel that Hollywood is the only place that good films are made. The British have been making fantastic films for many years and will continue to do so for many years to come.

Film Festivals Can Be Very Kind To Independent Filmmakers

Michael Connelly asked:

If you are one of those people who went to film school and still cannot understand why they did not teach you how to get a job in the film industry, then I suggest that you stop complaining, gather up all the creative, hard working film production people you know, make yourself an independent film and enter it in some film festivals. If you win an award at a prominent film festival your life may change very dramatically for the better. Even a small award at a small film festival will more than likely set you on the path to having a career in the film industry.

Most people attend film schools with big dreams of working in the Hollywood film industry and possibly even making a name for themselves. They have visions of red carpet interviews, Academy Awards acceptance speeches and stars on the Hollywood Walk of Fame. However, most of them will never see those dreams come to fruition and they will face endless frustration and disappointment instead.

After graduating from film school most people are expected to break into a business that is considered to be one of the most difficult in the world to find employment, unless you have connections, of course. For the ones without connections, it can be very frustrating. Unfortunately for them, the Hollywood film industry is run by a tight knit community that practices nepotism and rarely opens the door to newcomers.

If you want to break into Hollywood but your last name is not Barrymore, Begley, Cyrus or Sheen and the only connection you have is a cousin who manages your local movie theater, then your best chance of success is to make an independent film and enter it in film festivals. If you place in the top three of any category you enter you will usually be asked to send a film print of your movie so it can be screened to audiences that attend these events.

Film festival audiences are a combination of film critics, media reporters, film distribution representatives, film fans, celebrities and local residents. These are the people that can create a buzz about a movie after they see it. When a buzz is created about a movie at a film festival it usually starts in the theater lobbies and then works its way out into the media where it can take on a life of its own. If this happens to any independent film it is destined to succeed, and the independent filmmaker who made the film springboards into a career in the film industry. Just ask Robert Rodriguez or Quentin Tarantino about the value of film festivals and they will tell you.

Winning a top award at any film contest is a good thing for anyone who makes movies. With an award comes publicity, and publicity is the life blood for filmmakers and their careers.

Film distribution companies send people to film festivals to purchase products and they always follow the publicity to find their products. Many of the purchases they make are small movies made by people with very small budgets. An independent filmmaker can make a good profit from one of these distribution deals and make themselves bankable at the same time. If they can sell their movie to a distribution company, there is a good chance that they will be able to make more films with bigger budgets using money from investors, instead of their own hard earned money.

It is very important that you choose the right film festivals to enter your movie if you want to increase your chances of winning an award. Of course it would be nice to win a major award at an event like the Cannes Film Festival, The Toronto International Film Festival or the Sundance Film Festival. But you have to be realistic and set your sites on a contest that is friendly to small independent filmmakers and their independent films. Worldfest Houston International Film Festival and the Austin Film Festival are two examples of the type of film festivals that are friendly to this type of people who work with small budgets and big ideas. There are hundreds more contests out there and they come in all shapes and sizes.

The Cannes Film Festival, The Toronto International Film Festival and the Sundance Film Festival are the biggest and most publicized movie contests in the world. Unfortunately, they are also the most difficult ones for small independent films to be accepted into because of the high standards and politics that they employ.

Most of the films that win awards and get screened at the Big Three film festivals are made by independent film production divisions of the Big Six film studios like Warner Bros and Disney. By definition they are still considered to be independent films if no more than 50 percent of the funding comes from a major studio. But that fifty percent is usually millions of dollars, and this puts the production value in a whole different league than the movies that are made by small time independent filmmakers with miniscule budgets. Also, most of these big budget festival films have big Hollywood stars attached to them which makes them irresistible to the contest judges and management.

The Big Three film festivals have been invaded by the Big Six film production studios with big budget movies masquerading as independent films. This makes it very hard for a film that was shot with a digital camera on a shoestring budget to compete at Cannes, Toronto and Sundance. These kinds of films have a much better chance of winning an award at a film festival like Worldfest Houston or the Austin Film Festival because they are more interested in showcasing film talent than they are catering to the Hollywood film industry. Choose your film festivals wisely and you will increase your chances of winning an award and securing a distribution deal.